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Autoshite photography thread.


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Posted

Not so much nowadays but I always liked photographing cars at shows. I never bought a proper camera but found digitals are good for experimenting with angles.

 

Poncho.jpg

 

B21.jpg

 

Supras.jpg

-this was at Tatton Park on a extremly hot and bright day. I can recall struggling with the light allday.

 

BSTurbo.jpg

 

Tat01.jpg

 

Ford_Capri_MK3.jpg

 

Datsun_Cedric_JohnnyS.jpg

-this was fun as I managed to get Johnny stood next to his datsun

 

Z31_02.jpg

 

R33_02.jpg

  • 3 months later...
Posted

Shameless bump.

 

Weather not ideal and need more practise evidently, but reasonably happy. Not chuffed with some of the background behind the car as the left hand side of building (as you look at the picture) isn't as nice as the rest of it. Also took one or two of the pictures in the shade which didn't help...

 

DSCF1548.jpg

 

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Posted

Would it be better in a scrapyard, ideally in the grab of the crane? :lol:

 

Cheers Tayne, got carried away with what seemed a nice back drop but as you say the shades of sky and wheels isn't helping. Thanks for the tips, hoping to return there later this week (if the sun comes out again) for another session.

Posted
Would it be better in a scrapyard, ideally in the grab of the crane? :lol:

 

No, just with some suspension travel. V6 Vectras are alright.

Posted

But the water leak in the second-last pic is mighty impressive :D

Posted

I bought this on Friday from The Works, I really recommend buying it for what it costs, Only £6.99, It's a proper 258 page hardback book that is literately rammed with good advice and clear instructions and photographs, that even a wally like me can understand it! and it covers photoshop as well!.

 

1353014199.jpg

https://www.theworks.co.uk/product.asp?cid=&pid=13530

Posted

Cheers Trig, that looks a right useful publication. Always worry these sort of books are going to be anti-layman and thus bogged down with tech speak/hard to follow instructions, so I'll try and get a copy of that. Having said that the tips shown by others on this thread so far have been class and really helpful.

 

Been asked to submit some (non-car) pictures to someone who might use a couple for a sort of fanzine thing, so whilst the quality won't be world beating hopefully it's more experience if nothing else.

Posted
Shameless bump.

 

Weather not ideal and need more practise evidently, but reasonably happy. Not chuffed with some of the background behind the car as the left hand side of building (as you look at the picture) isn't as nice as the rest of it. Also took one or two of the pictures in the shade which didn't help...

 

DSCF1548.jpg

 

DSCF1546.jpg

DSCF1554.jpg

DSCF1555.jpg

DSCF1556.jpg

 

DSCF1558.jpg

DSCF1559.jpg

needs lowering :oops:

Posted

That's ace, Stu, the orange/yellow spray on the wall seems to really set the whole picture off. Would love to find somewhere like that locally to snap away at. There is one (less vandalised) bridge that would be ideal but the council put bollards up so I can't get the car under there.

  • 3 months later...
Posted

Sorry to drag up an old thread but can someone please explain how you make that sort of 'port hole' effect with pictures please?

Thanks in advance.

Posted

I got a digital camera for christmas, and have been slowly learning my way around some of the functions it has. I took a few shots of the cars to try out a few things (still learning!)-

IMG_5290.jpg

That was done on dartmoor at sunset. It was freezing! hard to hold the camera steady.

 

IMG_5029.jpg

My wife uses the disco to do horsey things with, snapped her on this roundabout near our house. I like those motion/ blurred shots you see in car mags but they seem tricky to do- could have chosen a better subject too mind!!

 

IMG_5061.jpg

I like grainy old black and white shots, tried to replicate that sort of atmosphere here. The rover is fairly original with threadbare carpets and paint flaking off the ally doors and bonnet- a friend says its scruffy (an old curtain covers the decomposing leather seatbase for instance) but I kinda like it that way!

Posted

Land-Rover picture looks 'nearly there' to me, God knows how people get the subject matter to appear that it's standing still whilst the background is blurry, but I'd loved to learn how.

The Rover picture is utterly brilliant and works tremendously well in black and white, top bombing I say.

 

Lacquer Peel and Richard: Soz I was a bit vague with my description of 'port hole' pictures. Sort of hard to explain what I mean but basically the subject matter is central to the picture but the edges are sort of rounded. I think Jon (Watanabe) did a few pictures this way a couple of years back and posted them on here, really impressed with his work as usual.

Posted

I think you've cracked it, thanks. Oddly enough just did an internet search and found this image which is what I was on about and is indeed described as 'fish eye', many thanskf or that.

 

fisheye_flower.jpg

Posted
God knows how people get the subject matter to appear that it's standing still whilst the background is blurry, but I'd loved to learn how.

You mean 'panning', just takes practise tracking the subject while you press the shutter. And lots of film. :wink:

 

Digi cameras negate the last point nowadays, but when I was using my 35mm gear, for every shot I took that looked like this...

huKAT.jpg

 

There were half a dozen that came out like this...

2ggsM.jpg

 

Some BTCC shite from about 1994/5. 8)

Posted
A big plane lands at about 90mph ish, this was shot at an 80th of a second (1 / 80 )

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Touchdown by Tayne, on Flickr

 

That's a very good shot.

Posted

I still struggle with the panning shots I must admit. I don't actually get that much chance to practice and after an entire weekend at La Vie en Bleu, I had hundreds of crap shots.

 

2CV events can be good for me, as there's usually a long convoy. Lots of practice! The below was taken on a very sunny day, which can be an issue as the camera won't like too long a shutter lag. This was actually 1/250th of a second but still managed to get some blur on the wheels and background (just!). Sunshine wasn't at the best angle, so the shadows are a bit harsh.

IMG_1077.jpg

 

The Peerless below was taken with my old compact superzoom, which was harder to make work properly in manual mode. This was a shutter speed of 1/50th.

IMG_1438-1.jpg

 

I took that over two years ago and haven't had much opportunity to take much since! The trick is to pre-focus where you want the car to be, then twist from the waist to where the car is coming from. Then you twist back, keeping the car in frame and take the shot when you're where you pre-focussed. By the nature of the shot, only part of the car will be in focus (more so if you take a three-quarter shot rather than fully side on) so it can be tricky to get the sharpness exactly where you want it.

 

For advanced students (of which I definitely am not one!) the other trick is to pull zoom as a car approaches you. That tends to keep more of the car in focus but will blur the background. I've only tried to do this a couple of times and it's been absolute fail. A far more competent colleague took this one.

DSC_0333.jpg

Posted

You can obtain an interesting fisheye effect by purchasing one of these from a garden centre:

 

708_S.jpg

 

I can't take a photo, but the setting is nice:

 

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Posted

Thanks Tayne. I've not really got into playing with apertures yet (I'm entirely self-taught so this takes a long time!) but I'll have a play next time I'm out.

Posted

It's more a case of 'one thing at a time' at the moment. When you know none of the theory of photography, it baffles the mind at first! I do need to study it a lot more, but me and 'learning' don't always make ideal bedfellows...

Posted

That is a brilliant post Tayne, thank you, I just need to get it all to stick in my head now!

Posted
That is a brilliant post Tayne, thank you, I just need to get it all to stick in my head now!

 

+1.

 

Cheers Tayne, absolutely superb.

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